| SECOND 
                    GENERATION WEAVERS  It 
                    was in 1972 that Suzanne Wissa Wassef decided to form her 
                    owngroup of weavers. For this purpose Ramses built her a large 
                    room at the other side of the garden away from the workshops 
                    of the first generation. At first, Suzanne's natural choice 
                    was to invite the children of the first generation weavers 
                    to join her project. Many of these children had spent their 
                    earliest years sitting beside their mothers at the loom. To 
                    keep them busy, they would often be given bits of wool to 
                    weave on small looms.  
                    
                      |  Palm Tree (detail) - 1989 |  Suzanne 
                    soon discovered however that they imitated the adults' designs 
                    knowing that these had already pleased the Wissa Wassefs. 
                    She often told the children, "I want 
                    you to bring out what you feel, not what your parents are 
                    doing." The lack of spontaneity in their work moved 
                    Suzanne to disband her newly formed group and to replace them 
                    with a whole new group of children who had not been exposed 
                    to weaving at all. Their challenge, and that of their teacher, 
                    was to become free from the natural impulse to imitate by 
                    using the technical skills of weaving to find fresh interpretations 
                    of the work.  |     
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                      |  Sunflowers - 1991 |  When 
                    Suzanne began her work with these children, she made an extra 
                    effort to free them from a desire to merely imitate nature. 
                    Unlike the first generation, the second generation were made 
                    aware from the start of the characteristic details which they 
                    wanted to represent.  Here 
                    she describes her aspirations for the weavers; "I 
                    wove from the age of eight to sixteen and discovered that 
                    the technique had many possibilities. The more I wove, the 
                    more I discovered how freely one can express oneself on the 
                    loom. It was my aim since then to initiate in the weavers 
                    this sense of free expression and unfolding magic." 
                    Working with this in mind, the results were indeed surprising. 
                    Suzanne found that once the children had learned to think 
                    for themselves, they were able to create whole scenes and 
                    broad landscapes, something that had taken their parents much 
                    longer to achieve.  The 
                    second generation were able to devote more effort to finding 
                    new forms and personal styles. Also interesting to add is 
                    the fact that this generation's development took place under 
                    different social and economic conditions. The weavers are 
                    generally financially well-off compared to the other villagers. 
                    Their homes, though simple, are clean and all their needs 
                    are provided for. Today, Suzanne continues her effort with 
                    28 weavers ranging from the ages of fourteen to twenty-eight. 
                      
 
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