| FINE COTTON WEAVING  
                    
                      |  Harrania - 1990 |  In order to diversify and widen the scope of weaving, in 
                    1962 Ramses introduced cotton weaving into the workshop. For 
                    this method the cotton threads used are very fine and the 
                    vegetable-dying method very slow and complicated. In spite 
                    of its novelty at the center, the children did not take to 
                    the new technique easily and the experiment lapsed. Only two 
                    of the original cotton weavers continued working while the 
                    remainder returned to wool weaving.  It was not until after Ramses Wissa Wassef's  |     
 |  death that his daughter Yoanna decided to expand this method. 
                    Continuing with what her father had earlier started, Yoanna 
                    describes her role with the second generation cotton weavers. 
                   "When I went to work at Harrania after 
                    my father's death, I decided to revive the cotton weaving 
                    with a group of 15 children who had no parental links with 
                    the previous ones. They were happy to take part in the school 
                    and accepted more readily the difficulties of the technique. 
                    They even felt a certain pride as they were no longer considered 
                    an appendage to the wool weavers, but rather a new group with 
                    its own identity. What is also remarkable to note is that 
                    I often found in their tapestries details reminiscent of the 
                    ancient Coptic fabrics, which of course, they had never seen." 
                   The difference in the two types of weaving becomes clearer 
                    here. The technique of cotton weaving calls for different 
                    and perhaps more difficult skills than high warp, wool weaving. 
                    in cotton weaving the looms are horizontal opposed to vertical 
                    and the threads are very fine.  As a result, the image takes longer to appear. In fact all 
                    phases of the work take greater patience and perseverance. 
                    Even the dyeing process is more demanding since cotton does 
                    not take natural dyes easily. The reward, however, lies in 
                    the result. This method produces weavings of great intricacy 
                    and clarity. The fact that a ten year old boy soon mastered 
                    the technique providesfurther evidence of Ramses Wissa Wassef's 
                    original theory concerning our natural gifts of creativity. 
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